Idylls of the Queens: Three Girls After My Own Heart

By RAHN ADAMS

MORGANTON, N.C. (April 15, 2026) — Today is my best friend and favorite artist Timberley’s birthday. It’s also Tax Day, of course, but that isn’t how I remember it’s her big day.

April 15th has always been circled on my calendar. It was also my late younger brother’s birthday, and it was the day I was fired in 1987 from my one and only full-time radio job here in my one of many hometowns. I had been darn good at that kind of work — speaking into the can, as they say on O Brother, Where Are Thou? — but I got canned anyway, no matter how many awards I’d won and whose birthday it was that day. In the late ’80s, I was a man of constant sorrow. Now I’m just a soggy-bottom boy.

EVEN AT AGE 11, Timberley was a ‘princess’ at the local newspaper where her father was ad director.

Timberley, the queen of my heart for the past 45 years, also got fired without good cause from a Hickory radio station around the same time, not on her birthday, though. That wasn’t how we met — not in the unemployment line — as we were already married. Still, the twin experiences convinced us early on that media jobs, in general, and the small-town radio business, in particular, aren’t necessarily fair. It’s even worse now, competing with the internet and social media.

So, yes, Timberley has always had to compete for attention on her big day. But our taxes have been filed (I’ll write about that debacle some other time, hopefully not after I’ve learned we’re being audited), and I have no intention of ever again working for the goober who still owns the local radio station — or for anyone else in the local media. That’s a definite benefit of retiring from the rat race.

Now, I’ll try to keep this column short, because we do intend to celebrate the day at least by going out somewhere nice to eat, and we do have some errands to run, as well as some honey bees to tend in our growing apiary outside the little house on the hill. That leads me to my next queen to discuss here.

Continue reading Idylls of the Queens: Three Girls After My Own Heart

SUNDAY VERSES: ‘How Far Is Too Far?’ (4/12/2026)

By RAHN ADAMS

DETAIL from mixed-media work created for a 1990s domestic violence exhibition

So many questions. / Only one answer. / He was a player. / She was a dancer.

He gave her money — / the start of the deal. / She took his surname / and made it for real.

She gave him a son / so he wouldn’t roam. / He smacked her around / and took off from home.

He went to Vegas, / to gamble and whore. / When she took him back, / he beat her some more.

But she wouldn’t leave, / and we know her fate. / How far is too far? / By then it’s too late.

‘The Whole (Wide) World Is Watching’

By RAHN ADAMS

BOONE, N.C. (April 9, 2026) — In the midst of this week’s madness — beginning, of course, with Donald Trump’s Easter Sunday tweet — I decided to wait until late Wednesday to write this column. I mean, if the world was going to end on Tuesday night or Wednesday morning, why bother writing anything?

Since we’re still here — for the time being, anyway — I’ll go ahead and say my piece about how Timberley and I spent the hours that must have reminded folks older than us of the Cuban Missile Crisis in October 1962. I was three then, Timberley was two, and neither of us remembers it. Our knowledge of the world’s brush with nuclear war is secondhand, unlike what’s happening now.

Continue reading ‘The Whole (Wide) World Is Watching’

SUNDAY VERSES: ‘Bee’s Bonnet’ (4/5/2026)

for Bee Whisenant

By RAHN ADAMS

Death and resurrection are funny words / to use when referring to honey bees — / how the hive declines in late autumn, / then comes back to life in early spring.

IN DAYS PAST, Easter bonnets were a big deal.

Workers live only six weeks in summer; / drones, two months if they don’t mate; / the solitary queen, two to five years, / because she’s the most important bee.

Or is she? Sure, she lays all the eggs, / but she had to tango with several guys / on her mating flight high up in the skies / in order to be the egg machine she is.

And the thousands of poor worker girls? / They do everything to keep the hive / clean and fed and safe and humming; / they literally work themselves to death.

So, the beehive stays alive all year; / it dies and resurrects itself over and over / in the expendable lives of its workers, / who — no doubt — are what the buzz is all about.

The Nights Thoreau Spent in Our Living Room

By RAHN ADAMS

RUTHERWOOD, N.C. (April 1, 2026) — I’m embarrassed to admit that I nodded off Monday evening during the second hour of Henry David Thoreau, the Ken Burns- and Don Henley-produced documentary about my favorite philosopher.

MORE COFFEE in my mug made from Walden Pond clay might have kept me awake.

Then, last night during the conclusion of the long-awaited PBS presentation, I was so tired from helping wife Timberley plant four new bare-root roses yesterday afternoon that I needed to rest my eyes again midway through the hour-long show — or at least that’s what I claimed.

But Timberley is no fool — not even on April Fool’s Day — so she woke me up both evenings as soon as she saw that my eyelids were closed for more than a second. She knew how much I had been looking forward to the documentary and that I wanted to be awake for its over-the-air premiere.

Continue reading The Nights Thoreau Spent in Our Living Room

SUNDAY VERSES: ‘Transcendental Meditation’ (3/29/2026)

My mistress’ eyes are nothing like the sun. (Sonnet 130)

By RAHN ADAMS

MY FAV ARTIST created this for my classroom.

When you look at a picture, / what do you feel first? / The colors? The lines? / A brain tickle? A thought burst?

What about the artist, / what they had in mind / when they whet their brush / with the tastiest art they could find?

FOUR TAKES on the work

Or is your take on a painting / all that really matters, / not the painter’s intent / nor the way their paint spatters?

Is art simply like beauty — / in the eye of the beholder? / Is it a silent meditation / or a transaction much bolder?

Me? I can’t answer that / because I’m married to my art. / I’ve learned to be quiet / and just trust that sweet heart.

O Grandfathers, Where Art Thou? (Part 2 of 2)

By RAHN ADAMS

MORGANTON, N.C. (March 25, 2026) — Last week I posed several questions that I promised to answer today: Should my “Southern heritage” — or anyone’s, for that matter — be preserved as something honorable? Should Confederate monuments, like the one on the Old Courthouse Square here in Morganton, stay or be moved? And were Rebel soldiers heroes or villains, or were they both at the same time?

THIS MONUMENT has stood on the square in Morganton since 1918.

As it turns out, my final answers weren’t all that hard to formulate. I got a little help from my friends — from my wife and writing partner, Timberley; from a former teaching colleague who also happens to be Timberley’s distant cousin; and from another old friend who offered a practical take on that last question.

Last week I had discovered that my maternal great-great-grandfather, John W. Duckworth, served from May 1861 to the end of the Civil War as a Confederate private in Company E of the N.C. 16th Infantry Regiment. Known as the Burke Tigers, the company fought in all the major battles from 2nd Manassas (Bull Run) to the surrender at Appomattox Courthouse in April 1865. His name appears on the Morganton monument.

Continue reading O Grandfathers, Where Art Thou? (Part 2 of 2)

SUNDAY VERSES: Confederate Sketches (3/22/2026)

By RAHN ADAMS

THREE REBEL monuments in N.C. & Virginia

Up on a pedestal, / blue sky at his back, / a rifle in his hand, / he’s a stone-cold rebel yell,

Silent for good reason / about what he has seen — / death and destruction, / loyalty and treason.

Over his frozen shoulder, / the god of lost causes / grins down on his creation, / making it even colder.

O Grandfathers, Where Art Thou? (Part 1 of 2)

By RAHN ADAMS

MORGANTON, N.C. (March 18, 2026) – Last weekend we attended the funeral of my wife Timberley’s aunt at a country church where I’d forgotten that my own kinfolk had been members long ago.

MEMORIAL to my mother’s pater familias at Pleasant Hill Church

In the hillside cemetery next to the old church — established before the Civil War — I happened upon the graves of my maternal great-great-grandparents, my great-grandparents and other close kin.

This was in the Enola community about five miles from Morganton at the edge of the South Mountains. An old wives’ tale says that this community around Yellow Gap got its name — alone backwardsbecause it was so isolated and sparsely populated, and because there was nothing much to do there. It’s still that way.

GRAVESTONE of Grandpa Tom, Granny Susan and Uncle Dewey at Pleasant Hill

Yes, my great-great-grandfather Sidney Poteet, the pater familias of one whole Poteet/Poteat clan in Burke County, and my great-grandfather Tom Duckworth, who had married one of Sidney’s daughters and moved our branch of the family tree to the Hopewell community closer to town, are both buried there at Pleasant Hill Baptist Church, even though they had been prosperous landowners and storekeepers in their respective sections of the county.

The fact that Grandpa Tom — all he was ever called around me — Granny Susan, and my great-uncle Dewey (who dropped dead at 31 while walking in the woods one day) were buried at Pleasant Hill and not at Hopewell Baptist Church or Salem Methodist Church did surprise me, but that wasn’t all.

Continue reading O Grandfathers, Where Art Thou? (Part 1 of 2)

SUNDAY VERSES: ‘Billy Joe’s Tee’ (3/15/2026)

From the mountaintop, / I surveyed the valleys below / and counted the towns / in that sea of trees.

‘BILLY JOE’S TEE’ (2004) is the cover image on our first novel.

“They all can be yours,” / he said with a glint in his eye, / “even that shining city / on the bright horizon.”

It was so tempting — / to suddenly be a man of the world, / wearing nice clothes / and working no more.

But I didn’t trust him, / this dude in the baggy blue suit; / or maybe it was how / he slicked back his hair.

“No, no,” I finally said, / “I’ll keep the lot I’ve been given / and do the best I can / as a simple, honest man.”